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Seinfeld, Season Five, Episode Twenty, “The Hamptons”

Jerry, George, Elaine, and Kramer visit their friends in the Hamptons. Jerry, Elaine, and Kramer see George’s girlfriend topless when he hasn’t yet had sex with her. Jerry and Elaine’s friends have an ugly baby, and Elaine is initially attracted to their paediatrician until he uses the same word to describe her and the baby. Kramer poaches some lobsters from a fishing trap. Jerry’s girlfriend sees George naked after he gets out of the pool.

Written by: Peter Mehlman and Carol Leifer
Directed by: Tom Cherones

I always love when an episode is this dense, and I assume it’s because of the fairly limited space the characters are operating in. There’s so much opportunity for plots and characters to collide in interesting ways that escalate the farce; the most obvious being when Rachel walks in on George after he’s suffered ‘shrinkage’. I’m given to understand this episode gifted that phrase to the world, naming not just the concept but the deep shame and frustration men associate with it. I generally assume women know about it, so it’s very funny to have Elaine have never heard of it.

George’s descent into insecurity is another case where the show walks a fine line without becoming offensive; any other show might be on his side and focus on him trying to see her naked, and others might double down on his humiliation (Family Guy would probably do both). Seinfeld, blasting through plot as it does, goes past this and into a much more surreal revenge scheme that riffs on the lobster plot. The callousness of this show that comes from simply blasting through beats without lingering on them has comic, political, and tonal effects.

You also see this with Jane; her walking topless across the screen is about as sexualised as the episode gets, because we’re not here to get off, we’re here to laugh (Kramer’s extremely pragmatic take on the whole thing slays me: “Show’s over!”). Jerry ends up MVP of this plot, knowing exactly how George is going to react and responding appropriately as the whole thing falls apart. Speaking of pragmatism, this is where Jerry is a necessary comedic counterpoint to George; as he points out, nobody actually gives a shit about this sort of thing.

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Next Week: “The Opposite”. If memory serves, that’s a good one.

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