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LGBT Movies: Sunday Bloody Sunday (1971)

Peter Finch’s doctor and Glenda Jackson’s consultant are sharing Murray Head’s young lover. They’ve agreed not to speak with each other and he’s happy to hop between them whenever he gets bored. He hops a lot because they’re awfully boring. The cast is great but Sunday Bloody Sunday moves as slow as molasses. We’re never asked to root for either pairing but it’s nice to see two men show affection in a mainstream film from 1971.

My recap is short. Here is your spoiler warning.

Act One: Romance

Glenda can date Murray openly. Peter has to keep things behind closed doors.

GLENDA JACKSON (A consultant): Why have you been avoiding this film? It’s historically important.
PETER FINCH (A doctor): Yes, but it’s also sad. And there isn’t much plot.
PHONE: I’m constantly ringing. I represent the irritations of modern life.
GLENDA: Whatever. I’m off to babysit some obnoxious kids with my boyfriend.
PETER: My boyfriend said he would see me today. When I’m not being interrupted by my patients.
MURRAY HEAD (An artist): Surprise! It’s me! I’m both of their boyfriends!
(We’re 20 minutes in.)

Act Two: Domesticity

Peter Finch and Murray Head commit to their love scenes. British audiences were shocked.

GLENDA: We share him. He brightens up our dull bourgeois lives.
PETER: Let’s show the audience how boring we are for the next hour.
GLENDA: It’s a comment on British society.
PETER: You’d think we’d be having fun with our young lover, but we keep trying to domesticate him.
MURRAY: I’m dumping both of you losers.
GLENDA and PETER: You’re what!
MURRAY: I’m moving to America. You’ll have to get on without me.
(80 minutes in.)

Act Three: Reflection

PETER: I told you the movie was sad.
GLENDA: Why did we put up with him? Just because he was young and hot?
PETER: That and self-esteem issues. You just ended a bad marriage and I was having flings with hustlers before we met him.
GLENDA: He was kind of a jerk anyway. We’re better off.
PETER: I miss him.
(And after 106 minutes we reach:)

THE END

Bisexual Love Triangles

M/M intimacy on film was rare in 1971.

I think Sunday Bloody Sunday is a masterpiece, but I don’t think it’s about what everybody else seems to think it’s about. This is not a movie about the loss of love, but about its absence. ~ Roger Ebert.

There is hope. Peter Finch has a successful career and a support system. He could meet someone new. Glenda Jackson has quit her job, and hasn’t many friends, but her wealthy family will support her till she finds her way. She has more options than she acknowledges. Murray Head’s artist can float by on his looks for another decade at least.

The sad bisexual love triangle is a thriving movie formula going back as far as 1924’s silent film Michael. Bisexual stereotypes abound, polyamory is rarely considered and the exclusively homosexual characters tend to end up alone or dead. For all its flaws Sunday Bloody Sunday treats its gay and bisexual characters with the same respect, and dignity, as its straight ones. Other examples of the formula include:

Have you seen any of these films? Are there others in the genre you enjoy? For more reviews of LGBT Media click here.

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