Succinct Cinema: Absurdism as Class Warfare in Godard’s Weekend

Content warning for discussion of violence, including but not limited to sexual violence.  There is no word that captures the nature and subject of Jean-luc Godard’s film, Weekend, quite like bourgeoisie in both its French and Marxist connotations, embodying the dual nature … Continue reading Succinct Cinema: Absurdism as Class Warfare in Godard’s Weekend

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